Mixed Submission Holds

Ollanta 36% 42% FUJIMORI: Good start to 5 weeks Ollanta Runoff Canal N

Ollanta Humala LEADING THE CAMPAIGN BEGINS TO SECOND ROUND




Although the campaign officially into the second round has just begun, after ONPE now give the results of the first round to 100%, in fact this was initiated after two days of first round. Ollanta Humala started making a concerted campaign a little anxious that it has been positioned in the center at the expense of having to explain changes in its initial plan of government. But the results are fruitful, not only eliminating antibodies in the middle class, but won the vote decided by Mario Vargas Llosa, who in a courageous stance supports the candidate of Peru Earn while warning against the greater evil: KEIKO FUJIMORI.

As if this were not enough, Ollanta Humala pulled if important areas of Toledo and distinguished professionals of the store policy, thus it provides clear evidence of his vocation to conclude, give a message of hope and yet not act authoritatively state that .

different case is that of Keiko Fujimori, who reacted late when seeking consensus. For when you think of it, and Ollanta Humala won the flag. Therefore, Fujimori chose what you do best: implementing a campaign of destruction against his opponent. And we all know that tired fujimontesinistas have experience in this field. Better yet, have the unconditional support of the newspaper El Comercio, Canal N, Peru 21, Mail, Express and The Reason. Ie tabloids joined the allies fujimontenismo heiress unthinkable ten years ago: Canal N Trade and tried to be independent of the government of Fujimori and Montesinos in the 90's. Suffice to say, Canal N was the bastion of democracy where the famous Vladivideos reported.

For strange turns of history, Fujimori has been installed on the board of Grupo El Comercio, and almost no change of name to Canal Canal N by K, then take over by nominees of the journalistic line of the canal.

While the campaign has shortly after the start, we can say that the conciliatory policy of Ollanta Humala has yielded results. But fujimontesinistas are masters in the art of the Dirty War and the campaigns of terror. It is sad to say, but now have more resources than ever to poison the political atmosphere. Ollanta Humala

despite having changed, faces the challenge of convincing a large segment of the electorate undecided which is not only the candidate of change, but the candidate of hope.

Keiko Fujimori, real change can not promise but the model of assistance from his father and his advisor Montesinos. That is, is vulnerable in sectors C, D and E. However, do not forget that voting is a natural drive and a hard vote: which voters get from Pedro Pablo Kuczynski, who have turned social networking site Facebook in a crossfire of racist messages that were not seen for years. That is, Keiko Fujimori has voters who do not act rationally, but by fear or hatred. Good account, are areas impervious to any kind of speech that is not the confrontation and the dirty war. Keiko Fujimori is almost invulnerable there. Ollanta Humala

should be aware that your message was the first round of change, but not the change responsible for Alan Garcia, but the change that leads to the hope that at last the course of Peru's economic success is no longer monopolized by the upper classes of mercantilist Peru. If light chases away the shadows, Humala will give a message of hope to exorcise the old demons of the past fujimontesinista.

seems that a liberal like Mario Vargas Llosa has captured this and so brave as lucid as the play for Ollanta Humala. The problem is that the Peruvian right conservative and a wide sector of the decadent society just like the Peruvian Mario Vargas Llosa won the Nobel Prize for Literature, who can pose for the picture, but are uncomfortable with the liberal Democrat who alleged authoritarianism and barbarism of dictatorship fujimontesinista when business was booming. That distrusts commercial law both liberal followers Ollanta Humala. Worse is the repository of the worst national defects: among them more furious racism in Latin America.

prevail "hope over fear? Just 5 weeks to know.

IPSOS SUPPORT: towards the second round
http://elcomercio.pe/politica/747376/noticia-encuesta-ipsos-apoyo-ollanta-humala-42-keiko-fujimori-36

Wallpaper That Looks Like A Castle Wall

renamed, is now K! CHANNEL

KEIKO FUJIMORI'S REVENGE IS NOT ONLY AGAINST JUDGE CESAR SAN MARTIN, BUT AGAINST CANAL N.

More than a decade after he resigned the presidency by fax, and then several months of being in a golden prison where at night he received a fine and enthusiastic nurses KEIKO Alberto Fujimori and Montesinos have achieved the greatest revenge ever dreamed for them.

CANAL N, the former rebel cable channel that was an indomitable voice in the wilderness of the tabloids and courtly regime, just put the kimono geisha and made explicit its willingness to use it and hands of all ways.

This was dismissed Laura Puertas, mythical founder of Canal N. The Chilean Directory Trade Group has declared total war against Ollanta Humala, and as is well known, fascism do cholos, people Eisha and enforced only PPKausas press freedom Total! If you want to learn there cholos have Trome to inform what they do the chorus girls.

thus clear: the war declared candidates exceeds the Keiko and Ollanta Humala. Is no longer oppose social justice against corruption that favors the elites. Behind this

democlición against the candidacy of Ollanta Humala popular dark designs are even more totalitarian than the most sophisticated boastful whims of Hugo Chávez. Right mercantilist

not bluffing, and wants to maintain the status quo: the false prosperity that is only good for economists paintings displayed in blue but it costs a lot of hunger and pain to more and more Peruvians who live on their work only and not the profiteering of the stale right.

Progam A Star Choice Remote

Municipal Theatre returns with the Verdi Requiem: Hope beats fear. LLOSA



OVERCOME FEAR OF HOPE: REQUIEM


Time passes quickly, without asking permission and on their toes. Think that the Municipal Theatre languished more than a decade after his infamous fire. Now, rejuvenated opens to the public this week with the famous holy Verdi Requiem. I could not have been better selected piece of music to sing the agony of a theater that held so many memories, his passage through hell (many theatrical productions were held there, building on its ruins) to his redemption and return to life. It seems that the intentions of those who rebuilt the theater and concert promoters have agreed to make a one-way matéfora cruxis, taking advantage of the vicissitudes of Theatre and staging of the Requiem.

The first time I had the opportunity to hear the Verdi Requiem was 6 years ago. It was January 30, 2005 and the concert conducted by Zubin Mehta famous was devoted to Southeast Asian populations that had recently suffered a terrible flood. The place was very modern room of the extraordinary Santa Cecilia Auditorium Parco della Musica, all a temple to the arts district near the Flaminio in Rome (Italy). He was accompanied by two Mexican classmates. One of them, a real gentleman (I hope that if ever reads this will appreciate the irresistible irony that I just wrote) was the one who convinced us to go. I must confess that at that time, besides being a faithful listener of Mozart's time on Radio Sol and Harmony (now Philharmonic) do not know much about classical music. This is a situation that I fear has not changed much, although my interest in classical music if he did and if we are in the field of confessions, I acknowledge that I owe the gentleman Jorge Menabrito.

night was rather cold, and comforted for a drink cognac in the lobby, I was virtually shaken by the strains of "ires idae idea." As a result of the concert, I realized I had a lot to learn, and that pleases me, because in my life one of the few pleasures I have is the day of discovery.

Perhaps for this reason that I noticed the attitudes of the spectators in the theater.

First, galleries and sported several empty stalls, and many are agreed that it was because "they kept to the Juan Diego." Worth explaining: Soon will release the first opera in the Theatre, which will be "The Barber of Seville" which has the participation of the famous Peruvian tenor Juan Diego Flores. For marketing strategy, who wants to buy an entry for this opera, should also get a ticket for the Requiem. Many sought the most suitable location for the presentation of Juan Diego Flores at the expense of going to places more modest for the Requiem. That when they resell or eased the entry of Requiem.

Another thing worth mentioning is that after the third call, the people who were in the pan down to galleries or better positions, using the notorious clear. The temptation was great, but I chose not to. For the Peruvians love as a behavior disorder and that I dislike.

The third and most pleasant, was a response to certain passages of the concert. Above all, the Dies Irae, which should have won more music lovers among participants as suggested having seen so many of the public on the edge of the seat or standing in the galleries listening to the work and following the changes of tone, from the ominous, oppressive boot up the hopeful final.

I think our first National Theatre and deserved a comeback is possible, judging from the heated and enthusiastic comments from the public, which has been achieved. It is my opinion that if among the listeners are young people who just met the theater at its best and is won by the music, then the Return of the Municipal Theatre is worthy of praise with every possible case. Forgive the sentimentality, but for me the most eloquent of the day was to see that many people with the playbill asked with great interest the musicians and see who faced gringo on the translation of the Latin of the Requiem.

Is that hope is making the dark? Will I write these lines with the hope of the rebirth of decency embodied in policy Ollanta Humala, who has received public support of our Nobel Prize in Literature, Mario Vargas Llosa?

Who knows. I hope I'm wrong, but it is possible that the metaphor of the Municipal Theatre sea el de la propia sociedad peruana, condenada a una larga decadencia y languidez en valores y cultura durante la época fujimontesinista. Hoy, más de una década después existe la gran posibilidad de exorcisar a ese demonio, e ingresar definitivamente a la luz.

Lux aeterna luceat eis, Domine, cum Sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis cum Sanctis tuis in aeternum,quia pius es.

Mario Vargas Llosa